In the Doom community, Mark Klem is known primarily for his musical contributions. He was responsible for the entire score of the original Memento Mori but had a major role in the soundtracks of other classic projects like Requiem, S.T.R.A.I.N., and MM2. He made maps, too, for the same megaWADs as his good friend Eric Sargent. However their partnership began it made its official debut with CRINGE!, an episode two replacement for the original Doom. Released toward the tail end of 1994 (and uploaded specifically to the /idgames archive in 1995), it is a perfect example of the raw weirdness perpetuated during the community's early years. I suspect that the majority of modern players will hate it with a passion. The ones who don't, though, may be drawn into its unearthly delights.
Since id Software released Doom in 1993, thousands of user-made WADS and maps have been and continue to be created for the Doom community's entertainment.
These are their stories.
Showing posts with label Eric Sargent. Show all posts
Showing posts with label Eric Sargent. Show all posts
Monday, April 29, 2019
Tuesday, May 17, 2011
Memento Mori II (MM2.WAD)
Memento Mori II, released in 1996, is of course the second outpouring of mapping effort from the Memento Mori Crew, though I should note that this Memento Mori Crew is not exactly the same group that made Memento Mori. Indeed, a number of mappers did not return for a second outing, while a number of authors stepped up to bang another quality megaWAD out. It's 31 levels of Doom II, 1 level of Doom, all specifically tweaked for coop. Both members of TiC - Thomas and Denis Moeller - return, alongside Jens Nielsen, David Davidson, Mark Klem, Orin Flaharty, Alden Bates, Florian Helmberger, Michael Rapp, and Andy Badorek. Some of these guys would even go on to work on Requiem, kind of a Memento Mori III, if you will.
Labels:
1996,
Adam Windsor,
Andy Badorek,
community project,
Dennis Moeller,
Doom II,
Doomworld's Top 10 WADs of 1996,
Eric Sargent,
Jens Nielsen,
Mark Klem,
Matthias Worch,
megawad,
Orin Flaharty,
review,
Thomas Moeller
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